Mike Lynch offers a peak into the studio of the Lockhorns

Over on Mike Lynch’s blog, he’s posted several photos and the background story on Bill and Bunny Hoest’s creations, The Lockhorns and Howard Huge.  Last month, I was fortunate enough to snap a few photos of the studio where The Lockhorns (as well as a Howard Huge) is produced.Did you know The Lockhorns was originally titled The Lockhorns of Levittown?

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Did Johnny Hart make another derogatory statement against Islam? (Updated)

This two panel cartoon begins with the turtle character stepping on something in tall grass and ends with a question, “What makes a bite thats shaped like a crescent moon?”…  I remember at the time defending Johnny on ToonTalk as the crescent is a common symbol/cliché used on outhouses and that people were inserting their own views into the strip, but now with this strip, I’m thinking that perhaps Johnny is capable of these clever puns (verbal or visual).

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Lucky Cow wins permanent spot in St. Louis Post-Dispatch

After six months of battling it out in the St. Louis Post-Dispatch, Mark Pett‘s Lucky Cow spot has been made permanent.  Back in January, the Post-Dispatch informed readers that it was going to test four new features and ask for feedback on which one should stay.  The other features (and in the order of their popularity after Lucky Cow are: Brevity, Candorville, and Brewster Rockit.

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Mike Lester cartoon stirs the pot in Tallahassee

News-Tribune and Cagle Cartoons.Lester drew Uncle Sam holding a copy of the Times that featured a front page with the headline “All the Treason Fit to Print” and the subhead “U.S. Anti-Terror Program: Details Inside.”… He added that the letter that “really gave me second thoughts” was from former Democrat Publisher Carrol Dadisman, who wrote: “In more than 50 years of various responsibilities for newspapers and editorial pages, I’ve defended a lot of editorial cartoons.

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