Comic History Opinion

Three Things I Learn This Week: Squeejiks, Swimsuits, and Shnobble

I’m known to go down a rabbit hole from time to time and many of those threads come from something I saw on social media. Here’s three things I learned this week about Popeye (and billionaires), Marvel Comics Swim Suit Edition, and Will Eisner Mural in Copenhagen.

Be a Non-AI Generated Popeye

Tom Hientjes reposted a Popeye comic panel on Bluesky that instantly threw red flags in my mind. In a world of easily faked imagery what are the chances that billionaires were a problem in E. C. Segar‘s day? Wouldn’t millionaires be a more appropriate for a villain in the 1940s? Or was this panel AI generated and projecting our contempt for today’s billionaire class?

Popeye created by E. C. Segar. Panel drawn by Bill Zaboly.

As it turns out, always trust Hientjes. This panel comes from a six-page Thimble Theatre story by writer and artist Bill Zaboly from 1940. According to Comics.org, the synopsis of the story is “when Popeye refuses to let billionaire George Squeejik have his table at a restaurant, Squeejik offers $1,000,000 to any fighter who can whip Popeye. He fights several brutes, including one who trains on carrots.”

That answers that question, but I still wondered if billionaires were a thing in the 1940s and were they societal tapeworms as they are today? Yes, billionaires existed, but their numbers were outnumbered by their comic page counterparts. In comics we had Daddy Warbucks (debut 1924), Bruce Wayne/Batman (1939), Lex Luther (1940), and Oliver Jonas Queen/Green Arrow (1941). In real life there were Henry Ford (~$1.2 billion) and John D. Rockefeller (~$1.4 billion).

But were they “good” billionaires? That’s a personal judgment call. Rockefeller donated over $540 million to education, public health, and scientific research. Ford took over financing of a defaulted construction of a Detroit hospital in 1914 and built the hospital with his own money, served as its first president, and over his lifetime gave the hospital $14 million.

Today, according to Forbes, the U.S. has 902 billionaires holding $6.75 trillion. I’ll second what Tom said, “In a world of George Squeejiks, be a Popeye.”


Marvel Swimsuit Issue

I was today’s years old when I learned Marvel Comics has a swim suit edition. I don’t know how long these special editions have been around (answer: six editions total starting in the early 1990s), but I am aware of criticism that superheroes body proportions are only possible with steroids and/or plastic surgery—or possibly a mutation. When I saw the Marvel’s announcement I instantly thought of the Reddit community /r/mendrawingwomen (aka “When Anatomy Attacks”) where folks share examples of “people improperly drawing women.” I’m guessing there will be ample fodder in this special edition for the reddit folks.

Marvel Swimsuit Special: Brand New Beach Day' #1 © Marvel Comics
Marvel Swimsuit Special: Brand New Beach Day’ #1 © Marvel Comics

The second thought I thought was if there were any female artists working on this edition. Marvel only mentions five artists by name. Carmen Carnero is the only female artist listed. Looking through her IG account, I found her contribution—a 1970’s vibe Tony Stark. Maybe she couldn’t be trusted to draw inflatable pool sized boobs?

Carmen Carnero's Tony Stark
Carmen Carnero’s Tony Stark via her Instagram

The Brand New Beach Day edition comes out on July 1 for those who want to read it for the articles.


Will Eisner Mural in Copenhagen

Comic book writer and inker Jimmy Palmiotti posted photos of the murals he’s encountered while in Copenhagen. One of them is a Will Eisner mural. Naturally, I needed to know more.

Jimmy Palmiotti X Account
Will Eisner Mural
Larger view of Will Eisner mural. Photo by Jimmy Palmiotti

The mural is a reproduction of a 1995 signed limited edition print based on a 1948 Eisner newspaper comic called The Story of Gerhard Shnobble about a boy who discovers he can fly, but at the insistence of his parents, he hides his ability until he’s an adult.

From Verden ifølge Seriemagasinet (The World According to Seriemagazine) the story begins

He lives an ordinary life, is employed at the same bank for 35 years and is also promoted to chief night watch. On the same day as the promotion, however, there is a robbery in the bank at night. Gerhard is overpowered and locked in the box room.

The next day, he’s fired. As Gerhard walks home through the city, he comes to mind his special talent and decides to fly to honor and fame.

Gotta love a “follow your passion” story. But why the “this is not a funny story” warning on the front page? Whelp, according to the account ending summarized by Christianshavns Local History Association and Archive

So he takes the elevator up a skyscraper to the roof, where a robbery is taking place involving a helicopter. One of Will Eisner’s comic book heroes – Spirit – is fighting the gangsters, but Gerhard Schnobbel ignores them and is only interested in jumping off the roof to fly, which he does, cheered on by all the people on the street who want to see him fly. In the heat of the battle, one of the gangsters shoots at Spirit but misses and instead hits Gerhard Schnobbel in the air, and he falls to the ground like a stone.

Since no one has noticed his flight, the newspapers describe him as a random passerby. But Gerhard Schnobbel’s fate is not quite so sad – HE DIED HAPPILY

In mural was created in 1995, 10 years before Will passed away.

Below is a page-by-page look at The Story of Gerhard Shnobble in handy-dandy video format.

Correction: D.D. Degg tells me that the mural is a reproduction of an Eisner limited signed print based on The Story of Gerhard Shnobble. Article has been updated.

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Comments 12

  1. That swimsuit issue panel reminded me of a question that Hobbes once asked Calvin: “Is Amazon Girl‘s super power the ability to squeeze that figure into that suit?” (to which Calvin replied: “Nah, they all can do that.”)

    1. Perfect. 😁 I forgot about that C&H panel.

      1. There was also the “retirement” arc near the end of the original Bloom County run, in which “Steve Dallas [wanted] to apply for work as a cartoon superhero“, because (as he put it, on 19-Jul-1989), “every woman in these things looks like Dolly Parton in zero gravity!
        Two days later there was a strip about Neutron Woman, which was even more acidic.

  2. “I am aware of criticism that superheroes body proportions are only possible with steroids and/or plastic surgery”

    Steroids and plastic surgery? Really? I thought it was Rapidographs and Prisma markers!

  3. Are we talking about the same Henry Ford who run a series of antisemitic articles in the newspaper he owned and whom Adolf Hitler called an “inspiration”? Maybe some car manufacturers aren’t so different over the ages.
    The Marvel Swimsuit Issue shapes seem to me directly traced from Sport Illustrated Swimsuit Issue. Of course, even the supermodels don’t look like supermodels in real life.

  4. I think he’s also the same Henry Ford who invited George Washington Carver to Dearborn.

  5. @Don-G – I’m not condoning Ford’s racism. Just trying to draw a juxtaposition between what the community good the billionaires of the 1940s did with their money vs today’s.

    1. I’m not accusing you of anything. I’m just saying that these so called philantropes did nothing out of real love for mankind. Being cultivated and doing good deeds was just an excuse for shamelessly exploiting hard-working people. With proper taxes, five hospitals could have been built instead of one. The rich of today are just shedding a disguise and show that they really don’t care about anyone.

  6. Glad someone mentioned taxes. Ford Motor Company remained owned by the not-for-profit Ford Foundation until 1974…

  7. …inviting Chester Gould to target Ford repeatedly in DICK TRACY from WW2 forward, most explicitly through Mr. Bribery, a visual mash-up of LBJ and Defense Secretary Robert McNamara, Ford Motor Company’s former “Quiz Kid” president.

  8. You forgot the richest tycoon of all.

    From the web:
    According to Disney comics, Uncle Scrooge’s net worth is officially stated as “five multiplujillion, nine impossibidillion, seven fantasticatrillion dollars and sixteen cents”. In another classic comic, his accountant evaluates his fortune as exactly “one multiplujillion, nine obsquatamatillion”. These are made-up words, meaning his wealth is essentially limitless.If we convert this fictional wealth using math based on his famous “billion-a-minute” comic quote, his net worth is estimated to be roughly $315.36 quadrillion.By pop culture measurements, his famous Money Bin holds “three cubic acres” of liquid cash. Depending on whether you assume the bin is filled with gold coins or physical cash, analysts estimate the liquid value of his vault alone is anywhere between $1.9 trillion and $12 trillion. Scrooge mentioned something in a comic, “Losing a billion dollars a minute! I’ll be broke in 600 years!”

    1. Uncle Scrooge is indeed the richest of them all, but I didn’t mention him as he didn’t appear on the comic scene until the early 1950s. I intentionally only listed billionaires that would have been around at the time of the Popeye cartoons creation.

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