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Eisner Award AI Inclusion Fallout: Submission Withdrawn, New AI Policy to Be Created

Comic-Con International has responded to the discovery of an Eisner Award nomination that included generative AI work. According to the San Diego Comic Convention organizer, the editor of Stardust the Super Wizard Anthology has withdrawn their submission. The work had been nominated for Best Anthology.

Additionally they say had judges known about the AI content they “would not have voted for its inclusion.”

Here’s their statement in full:

In light of the recent disclosure that Artificial Intelligence was included in a work submitted for Eisner Award consideration, the judges have indicated that had they been aware of this information, they would not have voted for its inclusion. The editor of the anthology in question has also rescinded this submission for inclusion. Therefore, the submission has been removed from the list of nominees and will not appear on the ballot.

It is clear that the ever evolving landscape of technology, as it relates to art, will benefit from further review and discussion. For this reason, San Diego Comic Convention will undertake that effort and will produce a policy that better reflects its long standing efforts in the protection of artists and creators alike.

-Comic-Con International

No AI at the Eisners

The news of the generative AI inclusion began with a video by Byron O’Neal, Editor-In-Chief at Comic Book Yeti. This morning he started a petition hoping that it would serve as a “mechanism of collective communication to the committee that generative AI has no place in the Eisners because if nothing changes, I fear not just the future of the awards, but also its legacy, will be tarnished forever.” So far 1,125 individuals have signed the petition.

In response to Comic-Con International statement, Byron tells The Daily Cartoonist that it’s an optimistic first step. He says:

It’s a positive first step. I’m optimistic but a public statement of intent means nothing without changing the submission guidelines for 2027 and beyond to ensure the long term integrity of the awards moving forward. We cannot allow projects created using generative AI to continue to be considered alongside those created by real people. It’s a complex future we are all navigating, and they need time to evaluate and respond appropriately. The community is expectantly watching.

Update: Story now includes response from Byron O’Neal.

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Comments 5

  1. A tough call but the right one.
    Computer software (are ‘drawing tools’ something like AI) have recently extended the careers of noted cartoonists Steve Sack and Clay Jones, who were recovering from illnesses but I wouldn’t like to see the profession taken over by untalented guys like me who can point-and-click.
    Will this be like baseball where there were arguments over whether LASIX surgery should be considered ‘the same’ as performance enhancing drugs?

    1. i still use photoshop cs6 from 2012. (the last version you could buy) the technique is still pen and brush in my hand—ink and whiteout with watercolors overpaint—though the stylus and tablet are more forgiving. i taught digital drawing until 2018 and both ps and illustrator were still hand drawn. i have heard horror stories of what ps et al are up to these days and i see evedence of that on socal media everyday. but i’d hate to see anything digital lumped with generative ai slop in a neoludite purge.

    2. You need to retract that statement because I have never used any AI or drawing tools similar to that. I oppose AI being used to create cartoons, and I have gone to war with people who have used it to steal my work. I draw on Procreate on an iPad, which is a tool, but nothing like AI. All my drawings are made with my partially paralyzed hand. I would never use AI. I had a lot of people recommend it and suggest it while recovering from my stroke, but I adamantly refused.

    3. To my knowledge having interviewed Sack on-record and talked to his friends/colleagues off-record, Steve re-taught himself to draw with his left hand. There’s no indication that he’s using AI.

      And Clay? He probably thanks his higher power he didn’t create a personal style akin to Michael Ramirez.

  2. Steve Sack and Clay Jones have NEVER used AI to draw with. Secondly, Photoshop and AI programs are not the same—not even close. One is a tool and the other is not. One requires artistic skill, years of practice, and precision; the other does not. AI art should not be considered legitimate art any more than popping a frozen dinner in the microwave and pushing a button makes you a 3-star Michelin chef.

    Steve and Clay have managed to keep working despite their recent medical setbacks because of hard work and perseverance. Bravo to both of them!

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