CSotD: One topic, two approaches
Skip to commentsMy day begins around 4:30 with a dive into the day's cartoons, during which I pull out, on average, a half dozen nominees. Then I go back and sort through them to come up with some sort of coherent overall theme or, at least, a sensible order in which to discuss them.
So today I had pulled out two cartoons on school shootings, both of which I liked a lot, and while I have already talked about school shootings, I felt they each took a fresh enough approach to bring it up again, in part because now it's not just about the Newtown anniversary but we've also got the incident in Colorado.
Then, as I was deciding which would get top position, I realized that they really take two different approaches, which factor suddenly became as interesting to me as the topic itself.
It's not quite the "descriptive/prescriptive" dichotomy typical of political cartoons and political commentary generally, but it's related.
Check it out and see how you would describe the conceptual split:

I'm leading with Jen Sorensen's contribution.
Obviously, she uses exaggeration, but it's still basically descriptive, with a reductio ad absurdum filter.
The only "prescription" is "Wake up and do something!" which she emphasizes by suggesting that people who tolerate the current slide into deregulation are foolish and you certainly don't want to be one of them.
Beyond that initial jab at Wayne LaPierre, however, she doesn't employ personal mockery so much as she mocks a societal trend that she feels is both counterproductive and stupid.
Even the implicit attack on the NRA seems to take a backseat to her criticism of society's willingness to not only do nothing but to tolerate moves that make future tragedies increasingly inevitable.
Her cartoon succeeded in making me angry about the lack of action and about how readily we allow special interests to subvert the common good.
Still, I can't say it's "prescriptive" because "Wake the hell up" is not a prescription. It's a slap across the face, and maybe only a more dramatic slap across the face than in the second cartoon:

While Sorensen depicts a dystopian "Idiocracy" approach to the issue, Jim Morin employs an approach that I find more chilling because there is so little exaggeration in it.
Granted, I don't know that any stations have yet added a regular school shooting segment to their news broadcasts.
But we're not far away from it being possible.
And this is not another media feeding-frenzy in which isolated, inconsequential events are hyped by coverage into an apparent epidemic, like the "rental car tourist attack" hype of the early 90s or the current flurry of "knockout game" coverage.
Pack journalism is different: If there were a spate of coverage of accidents featuring red cars, bonehead editors around the country would pick up on it and begin to devote additional coverage to accidents in their communities that involved red cars.
After awhile, people would be scared to death to drive red cars, just like they were temporarily scared to drive rental cars and are now scared of being randomly attacked by young people in loose-fitting clothing.
You can't, however, apply that dismissive analysis to coverage of school shootings.
There may be some over-coverage, for instance, of a kid getting busted for having his hunting rifle in his truck out in the school parking lot during hunting season, but it's perfectly valid to run a story when a kid pulls out a gun in the building, and especially if he fires it and double-especially if he shoots someone.
And yet.
And yet the shooting in Colorado began as "DEFCON 1 Omigod!" and then was quickly downgraded to "Oh, okay, well, only one kid wounded, and the shooter killed himself."
Now, here's Andy with the sports …
I'm not sure how to describe the difference, and please chime in if you can reduce it to some compact terminology, but I think it's important that Jen Sorensen talk about the "why" and "how" elements, even if she doesn't prescribe specific remedies. Her anger is needed.
But sometimes a laid-back approach provokes an even stronger reaction.
It scares the crap out of me how little Jim Morin had to tweak things in order to be able to say "It's come to this."
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