Editoonist News
Skip to commentsWith John Trever, Jay Inthammavong, Jack Ohman, Matt Golding, Megan Herbert, Cathy Wilcox, and Syed Rashad Imam Tanmoy.
The Vet and The Cadet
John Trevor Interviewed on 50 Years of Cartooning
Karen Moses for The Albuquerque Journal talks to editorial cartoonist John Trever about his 50 years of “Using humor to make a point.”
Jay Inthammavong on How “Art Gives Me a Voice.”
While Alexis Stark at School News Network discusses the future with recent Byron Center High School graduate Jay Inthammavong and how “Art gives me a voice.”

Awards
Video: Jack Ohman accepts The Herblock Prize
Somehow missed Jack Ohman‘s Herblock Prize (“the highest honor in American editorial cartooning”) acceptance speech from a couple months ago as posted at the Herblock Video YouTube channel. The address is a fantastic 20 minutes: Jack is by turns funny (mostly), emotional, nostalgic (his childhood in The Sixties), and autobiographical about his cartooning career.
Golding, Herbert, Wilcox Are Finalists for Journalism Excellence Awards
On the other side of the world the Australian Kennedy Foundation of New South Wales has released the finalists in the 2026 Kennedy Awards for Excellence in Journalism.



In the category we are most concerned with the finalists are:
Outstanding Cartoon
- Matt Golding – Playing Trump -The Sydney Morning Herald
- Megan Herbert – Limited Campaign – The Age
- Cathy Wilcox – Middle East Mess – The Sydney Morning Herald and The Age
We will revisit this on or around August 21 when the winners are announced.
The Climate Change in Political Cartooning

It’s a worldwide phenomenon that editoonists in the U.S. are not immune to.
Dowel Biswas for The Daily Star talks to some cartoonists about “The Changing Climate of Political Satire;” subtitled: leading Bangladeshi cartoonists on political tagging, backlash and the shrinking space for satire.
Bangladeshi cartoonists know [the discomfort of unsettling power] intimately. Censorship, political labelling and organised backlash have shadowed the profession for decades. The latest example came when one of the country’s most prominent political satirists, Mehedi Haque, found himself at the centre of coordinated criticism for doing what political cartoonists are expected to do: draw satire in response to the national conscience.
For many cartoonists, the issue is no longer only censorship. It is political tagging, organised outrage and the growing fear that every drawing will be read through partisan allegiance rather than artistic intent.
Feature image by Syed Rashad Imam Tanmoy


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