Comic Strip of the Day

CSotD: And can I choose again if I should lose the reason?

I often find myself weighing one potential CSOTD over another, and, by the time it comes down to the final two, it generally has as much to do with what I’d rather talk about than which one is technically better done or funnier or more insightful.

Today, the question is, from which perspective do I want to attack the topic of futility, resistance, fear and regret?

Because two strips come at it, one potentially and one quite directly. And it’s not unusual for me to discuss a topic raised rather well by one strip, then add one at the end that also addressed it but in a less full-throttle fashion.

This isn’t one of those times and each strip deserves top billing, so, with that impossible, let’s start with Pros & Cons, in the pre-decision stage:

Prosandcons

“Do I Stay or Do I Go?” is one of the great questions, not in the “What do you want from me?” Clash version, but in the Jackson Browne iteration:

Now that it’s time
Now that the hour hand has landed at the end
Now that it’s real
Now that the dreams have given all they had to lend
I want to know do I stay or do I go
And maybe try another time
And do I really have a hand in my forgetting ?

Towards the end of my time in a job that, through a change in ownership, had gone from ideal to soul-crushing, I had two favorite quips: “Hey, it’s just me and the dogs, and they think sleeping in the park and eating out of Dumpsters would be a blast!” and, concerning various alternatives, “I’m not looking for a bad job. I’ve already got a bad job.”

Not everybody, however, has whittled their worldly responsibilities down to themselves and a dog or two.

Nor — and this is important — did everyone come of age at a time and in a place where not allowing your soul to be crushed was seen as your primary obligation.

Quite the contrary: Many people, including many in my age group, were raised to feel that you are, in fact, obligated to let your soul be crushed rather than to abandon your more tangible responsibilities.

Nor were they allowed to ask if maintaining an uncrushed soul was part of your responsibility to those around you. It was always expressed, rather, in terms of picket fences and holiday photos.

And, like the fellow in the cartoon, we are all told, repeatedly and dogmatically, that “Running away from your problems is never a solution.”

You could create an entire blog about what arrant bullshit that advice is, what a shallow, callow, arrogant point of view it represents, like rich, pampered young Nately arguing with the old, world-weary procurer at the Roman bordello in Catch-22.

You say you have obligations, and it may be that, for a particular period of time, you need a certain level of income or of health insurance, and so you stay in a dead-end job.

And there may be short-term reasons to stay in a loveless marriage, though most of those eventually turn out to have involved your own misapprehensions, insecurities and fear.

Which you’ll never find out unless you have the great good fortune to get far enough away for perspective.

It all comes down to this: Whatever the decisions we need to either confront, endure or escape, we’re continually stymied by fear of what Christopher Titus, with his customary, charming delicacy, refers to as our “inner retard”:

 

Or, as it came up with absolute brilliance in today’s Saturday Morning Breakfast Cereal:

Smbc
As we get older, agenbite of inwit should, to some extent, loosen its grip on our souls.

If nothing else, some of those people who did “better” will have crashed and burned, either fiscally, physically or emotionally.

Or our own vision will become more discerning and we can see that they are as trapped as we are.

Even better, if you can arrange it, “as trapped as we were.”

But, of course, as long as we’re even pondering it in passing, we’re still just emotional slaves, living at the mercy of our inner retards.

And I know that’s a lousy, hateful term. But it’s a lousy, hateful phenomenon.

If you run away from nothing else, run away from that.

 

 

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Comments 5

  1. Sigh. OK. I’m the parent of a son with extensive special needs. Folks who can be described by your “lousy, hateful term” are folks who must use all their faculties and abilities to get through a day. They put their all into life — they have to because they have less tools than the rest of us, so to speak. People being stupid or dumb are folks who AREN’T using all their faculties and abilities. “Stupid” and “retarded” are closer to being antonyms than synonyms.
    I’m assuming at this stage in your life, you’ve been able to spend time around folks with intellectual disabilities — your conclusion was that the Titus bit was accurate? You really thought that was the best way to get your point across?
    Whatever issues of self-doubt and inertia and fear I and others might have, believe me, THAT metaphorical voice isn’t how it presents itself, nor, I suspect, does it to most folks. If the voice in your head really and truly sounds like Chris Titus’s completely misguided “comedy” routine, you’ve got bigger problems than inertia and fear.

  2. I really thought about whether to use the bit or not, because I’m very well aware of the taste issue, which is why I acknowledged it.
    However.
    Christopher Titus grew up with an abusive, alcoholic six-times-married father and a mother who was in and out of mental hospitals regularly and who shot and killed one of her husbands and eventually took her own life.
    As a child, he was back and forth among them and his grandparents, and his comedy is largely based on the excruciating pain his life, and the people in it, have brought to him.
    His act can be painful to watch. For instance, that particular cut comes from his discussion of how his father’s relentless psychological bullying became internalized to a degree that nearly paralyzed him.
    His use of an offensive, abusive term is basically a repetition of how his father taught him to think of himself, the “inner retard” being the part of him that will never really be cured of the name-calling and put-downs that marked his childhood.
    Sad thing is, while that was one of the names his father called him, it’s only one in a lifelong, ongoing litany of hateful names.
    I like his work because, aside from being cathartic to a degree few other comics can approach, it strips the psyche down to that “hitting bottom” level that is necessary to make real change. In so doing, Titus challenges the audience: “This is my life. Now, what’s your excuse?”
    It was in that “what’s your excuse?” context that I offered it — we’ve all got inner doubts, but you have to move beyond that.
    And, if you think you can’t, look around you and see some of the people who have, and who overcame more obnoxious and pervasive voices than you have ever dealt with.

  3. No. His demeaning others to make a point destroys the point he’s trying to make. Especially others who can’t defend themselves. So presumably he’s not repeating his parents’ behaviors, and good for him — but he’s nevertheless still being a bully. He’s come a long way, but not far enough that he chooses not to belittle others. It’s so far beyond a mere question of taste. It’s bigotry. Plain, pure, and simple. He assumes false things about disabled folks in order to talk about his “inner retard.”
    And your choosing to present his segment out of context destroys your point. You daily point out ways in which you think cartoonists do good work, and often in doing so, you point out ways in which others don’t. If you don’t hold your essays up to the same standard and recognize when you’ve messed up, your praise of folks starts to ring hollow.
    What is cathartic to you isn’t universally cathartic to everybody, just as what goes on inside your head isn’t universal to what goes on inside everybody’s head. You butchered your argument.

  4. I’ll concede the point. Thanks for taking the time to watch the 90-minute special so you could judge it fairly.

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