Comic Strip of the Day

CSotD: A very random Thursday

2511Joy of Tech speaks for me and I'm grateful not only for the laff but for the assurance that I'm not the only one and that it has nothing to do with my being old and not a digital native. 

I'm convinced that Facebook has a system of showing you things you don't give a damn about over and over and over for days, while hiding anything you've ever wanted to even glance at.

Thanks to Joy of Tech, I will continue to believe that this is somehow intentional.

SuttonSpeaking of things you should want to glance at (they don't call me the "King of Segues" for nothing), Ward Sutton picked up his Herblock Prize last night, and that's one of the prizes that matters. It's also a chance to go through his entry portfolio and read some really good work.

I'm singling out this particular piece because it's something I didn't know but it fits in with something I did know and love, which is Ionesco's Rhinoceros, which was similarly based on watching the Nazi takeover, Ionesco having watched in Romania.

Rhinoceros is a more complete, detailed takedown of the process, with people at first horrified by rhinoceroses turning up in their streets, then accepting as more of them turn into the crazed, destructive beasts, while a pair of experts debate the differences between one-horn and two-horned rhinos rather than dealing with the actual problem.

It's somewhat like "Invasion of the Body Snatchers," another political parable that ends with the lone holdout hero being the last man standing.

Rhinoceros016But the movie version isn't very good and the script is far too long. My exposure was pure luck: I happened to be in college when the Notre Dame/Saint Mary's theater department did an excellent absurdist production which I dragged people to several times during its run.

The advantage of the Wolfman parable is that everyone knows it and it's not terribly involved and specific, which allows Sutton to use it as a jumping off point rather than something to be itself analyzed and dissected. 

He goes straight to the parallels and makes his own point, which is a more direct and possibly more effective approach than bundling it in a package that people are supposed to study and reflect upon before they get it.

(The rest of his stuff is equally provocative, in the good sense. Go look.)

 

Lulu
No scholarly analysis needed to process this bit of very good news from Heidi MacDonald, which is that Drawn & Quarterly is reprinting "Little Lulu" comic books in the coming year and I can hardly wait.

This falls under the topic of things I really remember, as opposed to things that people all agree they remember but actually don't, and Constant Readers will note that I mentioned Lulu the other day in talking about Nancy. 

Lulu had more chutzpah than Nancy but wasn't bratty like Little Iodine, which is to say that she broke rules for a reason and led her merry band of followers on interesting and righteous neighborhood adventures.

Perhaps you'll have to wait for the books to come out in order to understand the point, because, as said, she doesn't turn up in the Trivia Contests and only people who actually do remember her will remember her.

But for those of us of a certain age, Lulu did for our imaginations what stumbling across Peanuts and Miss Peach did for slightly later generations.

And she did not have a steamboat. You're thinking of someone else.

 

Fz180510
Frazz and Miss Plainwell have been discussing tiny houses on their morning run, which began back here.

The timing is fortuitous because, after the Satire Symposium last month, I went to visit my son's family and his-mother-my-ex and I had a conversation much along these lines, the gist of which was that, while we're both at a downsizing period in life, the appeal of tiny houses remains a total mystery.

As it was back in December when Betty's slacker friend was moving into one, at which point I opined that "A tiny house is simply a mobile home made of wood," with the main difference being that the people who make mobile homes have worked out the design issues while the tiny house people are still flailing a bit.

Meanwhile, my son's in-laws, being also at the downsizing stage, have put their large, empty nest on the market, but if it sells before they have their ducks in a row, they could live happily in their fifth wheel, which is the size of a tiny house but easier to move and, as noted, designed by people with experience.

I'd rather have a fifth wheel than a tiny house, but I'd also like to have a Miata, the connection being that it's great to have a Miata but you also have to have a real car.

And, I would contend, a real home somewhere, though young people should give the road a try and I'm sorry for those who don't.

Fact is, Steinbeck lied, and, Sal Paradise notwithstanding, the American tradition is not being on the road, but, rather, being willing to take to the road in order to find a good place to settle down.

Even Dan'l Boone, who supposedly said that when you could see the smoke from your neighbor's cabin, it was time to move on, wound up permanently on the shores of the Missouri, where he truly did say, "Nothing embitters my old age [like] the circulation of absurd stories that I retire as civilization advances, that I shun the white men and seek the Indians, and that now even when old, I seek to retire beyond the second Alleganies."

Anyway, if there is an American tradition of seeking elbow room, you could start by not trying to live in a shoebox.

 

Tt180509
Though, as Tom Toles notes, we've fallen for bigger fantasies and con jobs, and ones that were a great deal more heart-breaking.

 

Ah well

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Comments 10

  1. I used to read library books, back when the library had books older than me. This included joke books, and that’s where I found Little Lulu jokes, a whole genre of anecdotes, sometimes like Little Willie in prose (Lulu’s brother fell off the crow’s nest, and Little Lulu laughed and laughed because she knew he couldn’t stand a hard ship) and sometimes edging toward blue (“I can’t see my hand in front of my face,” said her boyfriend, and Little Lulu laughed and laughed because she knew his hand wasn’t in front of his face). You can probably guess—if you didn’t know already—what the fixed formula of the type was. There was a whole section of them in one of the books I checked out. To my surprise, it must not have been 10,000 Jokes, Toasts, and Stories by the Copelands, because I just checked.

  2. Thanks for the Ward Sutton link. Great stuff. I see he lives in my home town, which I stepped away from for a moment in 1980 and couldn’t ever afford to come back to.

  3. Kip W — I saw those kind of jokes ascribed to Little Audrey. You may know that when Fleischer (later Famous) Studios lost their license to make Little Lulu cartoons, they created Little Audrey, who was ultimately bought by Harvey and is supposed to get a new series of Netflix soon.

  4. Brad’s right — those are Little Audreys, and the character is not to be confused with Little Dot, who came later.
    Neither of them to be confused with the Lulu who had a steamboat. You may Google “Lulu” and “steamboat.”
    Don’t Google “Lulu,” “Bang” and “Duck.”

  5. Yes, Little Dot is a separate character. Along with her BFF Little Lotta and Audrey, they’re known as the Harvey Girls.
    As I mentioned, they’re getting a new series, one of six DreamWorks is developing for Netflix. Here’s the press release for “Harvey Street Kids”:
    “From its never-ending games of kickball to the infinite flavors of its ice cream truck to the greatest climbing tree in the universe, every day on Harvey Street feels like a Saturday. And that’s largely thanks to the Harvey Girls – Audrey, Lotta, and Dot – the block’s self-appointed guardians and the world’s bestest BFFs. They will do whatever it takes to keep Harvey Street the best block to never grow up on and transform every afternoon into a wild adventure. From executive producer Brendan Hay (Dawn of the Croods, The Daily Show with Jon Stewart) and Emmy-nominated supervising producer Aliki Theofilopoulos (Phineas & Ferb, Descendants: Wicked World), the series will be available to Netflix members worldwide in 2018.” (Emphasis added.)

  6. Argh! You’re right, I was wrong. Little Audrey, of course. They say the brain’s the first thing to dishwasher.
    Now, Little Dot is easy enough to distinguish. I wrote her an epitaph once.

  7. Thanks for the good news about Little Lulu ! My originals are pretty worn out.

  8. Just recently Facebook changed on me to make it even more difficult to find a post I been trying to comment on, only to have Facebook’s systems fail in some way. Often closing the comment section entirely with no way to reopen, or just causing the entire page to reload as it tried to bring up some modal box to do it in… I don’t know, all I know is that Facebook is never the same day to day, as they seem to be beta testing the worst of the worst on me.
    Anyways, back to point, since I’m looking for something recent, looking for it at the top of full feed is, of course, hopeless. So I was typically just going to the person’s wall directly to find the post. Which worked pretty well… until a couple a couple days ago. Now, they show at the top of those pages the things they have NOT been showing me from that person (and it’s labelled as such). I have not found a button yet to stop this behaviour, or just get to the recent posts… I have, in fact, not been able to find some posts after scrolling down page after page. Suggesting that they’re deciding to avoid showing me things that they have very recently shown me, at all costs.

  9. What was the one where someone was both surprised and pleased…surprised because…and pleased because…?

  10. Twitter’s obnoxious, too. Using TweetDeck, when it’s scrolling past and I want to see a particular tweet, it gives a lurch and I never see the tweet again. If I’m clicking down carefully, one at a time, it will give a lurch and, again, I will never find it again. So far, every interface I’ve tried is annoying in several ways. There’s no pleasing some people, and I’m at least one of them.

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