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A Comic Strip Roll Call

With Calvin and Hobbes, Lum and Abner, Dick Tracy, Luann, Patrick McDonnell (Mutts) and Tom Toro, and Dee Parson (Rosebuds).

a boy and his tiger still matter

Bradley Worrell for Colorado Arts and Sciences Magazine writes of the eduring love for Calvin and Hobbes:

When teaching his popular course on comic books and graphic novels, William Kuskin’s classroom represents a microcosm of the university, where engineering majors sit alongside business students and aspiring writers.

In that mix, the comic strip Calvin and Hobbes, which debuted in November 1985, sparks an enthusiasm across students—even though the comic strip ended its syndicated run in December 1995, before most of those students were born, says Kuskin, a University of Colorado Boulder Department of English professor and department chair.

“Students will march down at the end of class and gush about Calvin and Hobbes,” he says. “It’s not just nostalgia; there’s an ongoing love for it in this generation.”

The last Calvin and Hobbes strip syndicated to U.S. newspapers -December 31, 2005 (originally)

While no new Calvin and Hobbes comic strips have been produced since 1995, author Bill Watterson authorized the publication of 18 books between 1987 and 2005 that reprinted comic strips from various years. In honor of the publication of the three-volume The Complete Calvin and Hobbes in 2005, re-runs of comic strip were made available to newspapers from Sept. 4, 2005, to Dec. 31, 2005.

Kuskin says the beloved comic strip is not just a relic of the bygone newspaper era—it’s a shared language of humor and imagination between generations.

The Grandpappy of Corn Coms

Before there were The Beverly Hillbillies, The Andy Griffith Show and Green Acres, there was Lum and Abner. Set in the then-fictional town of Pine Ridge, Arkansas, the radio sitcom chronicled the adventures of two friends who ran a rural general store and served as the blueprint for the so-called “corn coms” of the 1960s.

During its run from the 1930s to the 1950s, Lum and Abner entertained fans across the United States and abroad throughout the Great Depression and World War II while introducing audiences to the characters and dialects of rural Arkansas.

Sarah DeClerk for Arkansas Money & Politics regales us with the history of Lum and Abner.

“It would have conflict. It would have mystery. It would have drama. It would have comedy,” said Donnie Pitchford, president of the National Lum and Abner Society.

Lum and Abner by Donnie Pitchford

Donnie Pitchford is not just the president of the Lum and Abner Society, he is also the cartoonist of the long running weekly Lum and Abner comic strip.

Today, Pitchford writes a Lum and Abner comic strip, and he also provides an audio version of every comic strip, which he said has a large audience among people who are blind.

“I keep it going because I have an audience,” he said. “I’m not getting wealthy off it, obviously, but I have a lot of people, and a lot of them are far younger than I am. You know, I’ve had readers in their 20s and 30s even, and I’ve tried to involve young people in the production of it.”

Tom Toro in Conversation with Patrick McDonnell

From the Princeton Public Library comes Tom Toro and Patrick McDonnell discussing cartooning.

Together, Tom and Patrick will discuss Tom’s new book, the creative process behind their work, the evolving landscape of cartooning, and how humor, especially in illustrated form, can deepen connection and understanding.

Patrick McDonnell and Tom Toro at the Princeton Public Library

[Tom Toro:] It’s getting rarer for cartoonists to put out cartoon collections because for my generation, um, our stuff is just sort of ubiquitous online. You can go on my social media and see more of it. There’s more available for free online. So, I really, you know, thank you to Andrews McMeel for taking the risk and starting to put out true cartoon collections for for younger artists.

Supr Dee, Entrepreneur

Cartoonist Dee Parson is featured in the Indiana Economic Business Corporation Yearbook.

Supr Dee (Dee Parson), Indiana Economic Business Corporation

(Try as I might I can’t find a webpage for this feature article.)

Dick Tracy, from Comic Strip to Comic Book

The sales of recent Dick Tracy comic books are good enough for even more detective comics to be published. Samantha Puc at The Beat reports on the forthcoming Dick Tracy: St. Patrick’s Day Special.

In partnership with Tribune Content Agency and New Wave Comics, Mad Cave Studios has announced a festive, new Dick Tracy one-shot. Dick Tracy: St. Patrick’s Day Special debuts in March 2026, and The Beat has all the details.

Dick Tracy: St. Patrick’s Day Special cover art by Geraldo Borges and Mark Englert

Written by series scribes Alex Segura and Michael Moreci and featuring guest writer Tim Seeley, with art by Craig Cermak and Rebekah Isaacs, colors by Mark Englert and Marissa Louise, and letters by Patrick Brosseau, this one-shot throws the iconic detective into a seasonal caper for the ages. Here’s the full synopsis…

Luann Fills Out

GoComics has improved the Luann archives.

Luann title panel by Greg Evans – March 15, 1985

From GoComics What’s New Update for December 15, 2025:

We filled in missing strips and corrected a number of errors in the “Luann” archive, including incorrect dates and lower-quality versions. With these updates, the archive is now more complete and accurate, making it easier for you to enjoy 40 years of “Luann” without gaps or inconsistencies.

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Comments 7

  1. While it is nice to see that GoComics (finally) recognizes the value of polishing their archives, it is useless to have a complete collection of strips when it is not possible to search for a specific strip according to its (dialog) content. This (formerly) very useful feature was eliminated when GoComics rebooted the website. I see no reason to pay any amount of money for “complete” access when the only method to search for strips is to sequentially hunt and peck through the calendar.

  2. We haven’t seen this Christmas 2025 a Dick Tracy Christmas Special comic book, but there was a Dick Tracy Halloween Special comic book.

  3. “Rosebuds is one of only three original comic strips to enter print syndication since Garfield in 1978.”

    Ummmmm . . . what?

    1. Yes, that’s wildly, ridiculously wrong. I can only hope it’s a misunderstanding by an ignorant journalist and not something said by the syndicate or artist, because that would be embarrassing.

      I had no idea Lum and Abner was still a thing, or had been ANYthing for 70 years. Interesting! I remember enjoying the radio shows (replayed on throwback revival radio programs, I’m not THAT old) and wish them the best.

      1. It’s in relation to the artist being native to Indiana, the article means only three other comic strips made in Indiana since Garfield have gotten into print syndication, and Rosebuds is one of those comics.

      2. Those interested in old-time serial comedy, like you see in the vintage _Barney Google and Snuffy Smith_ that Comics Kingdom runs, might enjoy _Lum and Abner_. The show ran forever and an impressive number of episodes were preserved and can be found on free-to-download sites. I recommend the 15-minute episodes preferably, as they’re of better (narrative and humor) quality and they’re more impressively done by (mostly) a cast of just two performers. The half-hour episodes are a non-serialized sitcom.

        (Also, listening to the program — which has to have been the most successful imitator of _Amos and Andy_ — can help one understand why Americans found *that* show compelling without having to figure out how you feel about the racial politics of the production right away.)

      3. I was honored to be one of the founding “ossifers” of the National Lum and Abner Society in 1984, and over the next 20+ years we conducted annual NLAS Conventions in Mena, Arkansas, hosting actors, announcers, writers, and family members associated with Lum and Abner. When I completed my teaching career in 2010, I negotiated to start the “Lum and Abner” comic strip and have been publishing it every week since. It’s not in many newspapers, sadly, but you can find it and archives on the website, as well as all 133 issues of “The Jot ‘Em Down Journal” (the publication of the NLAS), free of charge. We also produce audio adaptations for our blind friends. Incidentally, the strip displayed above was my first from 2011. Hopefully I’ve improved!!

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