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	<title>Comments on: Sacco&#8217;s investigative-reporting war comic book</title>
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	<link>http://dailycartoonist.com/index.php/2010/02/05/saccos-investigative-reporting-war-comic-book/</link>
	<description>The source for industry news for the professional cartoonist</description>
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		<title>By: Mike Peterson</title>
		<link>http://dailycartoonist.com/index.php/2010/02/05/saccos-investigative-reporting-war-comic-book/#comment-90357</link>
		<dc:creator>Mike Peterson</dc:creator>
		<pubDate>Fri, 05 Feb 2010 18:54:29 +0000</pubDate>
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		<description>There was also an interview with him at Al-Jazeera by a young Palestinian journalist that goes into more depth on the choices he made as an artist and his overall approach to journalism. It&#039;s quite a good piece
http://tinyurl.com/y96w8sq

As for Mauldin, though he is at the top of my list of favorites, I don&#039;t think the connection with this type of journalism is there. Mauldin didn&#039;t investigate anything -- he simply drew the experience which, at least at the beginning, was his own. What made it different was the lack of Official Filter -- he depicted the life of the common soldier as it was, not through the eyes of the officers, which is the POV for nearly all war fiction and non-fiction. Brilliant stuff, but he didn&#039;t have to investigate -- he was already in the middle of it all. 

What Sacco does is quite different on a number of levels. I like&#039;em both.</description>
		<content:encoded><![CDATA[<p>There was also an interview with him at Al-Jazeera by a young Palestinian journalist that goes into more depth on the choices he made as an artist and his overall approach to journalism. It&#8217;s quite a good piece<br />
<a href="http://tinyurl.com/y96w8sq" rel="nofollow">http://tinyurl.com/y96w8sq</a></p>
<p>As for Mauldin, though he is at the top of my list of favorites, I don&#8217;t think the connection with this type of journalism is there. Mauldin didn&#8217;t investigate anything &#8212; he simply drew the experience which, at least at the beginning, was his own. What made it different was the lack of Official Filter &#8212; he depicted the life of the common soldier as it was, not through the eyes of the officers, which is the POV for nearly all war fiction and non-fiction. Brilliant stuff, but he didn&#8217;t have to investigate &#8212; he was already in the middle of it all. </p>
<p>What Sacco does is quite different on a number of levels. I like&#8217;em both.</p>
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		<title>By: Ted Rall</title>
		<link>http://dailycartoonist.com/index.php/2010/02/05/saccos-investigative-reporting-war-comic-book/#comment-90352</link>
		<dc:creator>Ted Rall</dc:creator>
		<pubDate>Fri, 05 Feb 2010 17:52:21 +0000</pubDate>
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		<description>Certainly, in the modern era, I give Joe Sacco full credit for inventing the war correspondent-cartoonist genre--or sub-genre, since most cartoonists are smart enough not to venture to war zones. I couldn&#039;t have done my Afghan or Central Asia books if he hadn&#039;t made it possible. The same is true for David Axe/Matt Bors, as well as the travelogue genre embodied by Guy Delisle.

To be finicky, however, surely there&#039;s a hat tip owed to Bill Mauldin.</description>
		<content:encoded><![CDATA[<p>Certainly, in the modern era, I give Joe Sacco full credit for inventing the war correspondent-cartoonist genre&#8211;or sub-genre, since most cartoonists are smart enough not to venture to war zones. I couldn&#8217;t have done my Afghan or Central Asia books if he hadn&#8217;t made it possible. The same is true for David Axe/Matt Bors, as well as the travelogue genre embodied by Guy Delisle.</p>
<p>To be finicky, however, surely there&#8217;s a hat tip owed to Bill Mauldin.</p>
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